Lutz Behnke: «Untitle»

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Olaf Hopp: «Untitle»

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Portraits in classical focus towards the genre, sculptured bodyscapes and nudes in renunciation towards superficial erotic, and modern dance theatre and captured moments from all around the world: Analog photography in colour and black&white by Olaf Hopp.

Attilio Della Maria: «Sin título»

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Raúl Cañibano: «Sin título»

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Raúl Cañibano Ercilla, 10 de agosto de 1961, La Habana, Cuba.

Jean-Marie Auradon: «Fishing Boats at Anchor close window»

Fishing Boats at Anchor close window

Jean-Marie Auradon was born in the south of France in Languedoc in 1887. He moved to Paris and became well known for his large-scale nudes, which he posed like classic sculpture. In 1930 and 1936 he exhibited his work at the important Salon International D'Art Photographique de Paris, which were hosted by the Societe Francaise De Photographie. The judges for these salons were respectively Andre Steiner and Laure Albin-Guillot. He apparently became acquainted with Albin-Guillot, because most of his prints are very similar to hers--large pictorial nudes, flower studies, landscapes and still lifes in the Fresson process. Like Albin-Guillot, Auradon was a member of the Societe Francaise De Photographie. Besides exhibiting in France, Auradon contributed to several international salons, including the First International Tokyo Salon of Pictorial Photography at the Tokyo Imperial Art Gallery in 1935. Auradon wrote several books on photography. In 1946 he became a founding member of the important and influential Groupe des XV and exhibited at its salons. In 1951, Otto Steinert chose some of his work for the seminal exhibition "Subjektive Fotografie". His nude work was published in "Nus", an influential photography publication that contained the work of many of the top photographers of the early 1950s. He is in the George Eastman House and Auer & Auer databases. An article on his work appeared in Camera (1974). His work is included in the collection of the Bibliotheque National in Paris. Auradon died in 1958.

Sammy Davis, Jr: «A friend disrobes»

A friend disrobes

Chameleon, voyeur, outsider—Sammy Davis Jr. used his camera to create one of the greatest unknown picture archives in show-business history.

Sammy Davis Jr. al igual que muchos artistas era un fotógrafo tras bambalinas,  nunca sabremos si el efecto nebuloso esa patina que aunada al rostro entre ensoñación y pudor de la chica, fue planeado o si se dio en el cuarto oscuro, me atrevo a decir que fue fortuito y uso película diapositiva en la toma. Queda pendiente ver más trabajo de Sammy.

Cris Melo: «Untitle»

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